Geschichte wird Kunst \/ Imprinting History<\/em><\/strong> catalogs artwork created during a residency at the Historisch-Technische Museum Peenem\u00fcnde<\/strong>, located on the grounds of the WWII era power plant in Germany, where Arag\u00f3n explored the history of the Nazi-era slave labor missile research center and the development of the \u201cVergeltungswaffen\u201d (V-weapons). This project was done in collaboration with the Till Richter Museum \u2013 Schloss Buggenhagen<\/strong>.<\/p>\n\n\n\n Installation views<\/p>\n\n\n\n Selected images<\/p>\n\n\n\n Process<\/p>\n\n\n\n Accompanying catalog, with limited edition woodcut print, for the exhibition \u201cImprinting History\u201d with texts by Philipp Aumann and Till Richter and artwork by Gregorio Iglesias Mayo (Spain) and Miguel A. Arag\u00f3n (Mexico \/ USA).<\/p>\n\n\n\n Peenem\u00fcnde Project: Geschichte Wird Kunst \u2013 Imprinting History<\/strong>. Softcover, German \/ English. A variation of the installation was first exhibited on the Wunder mit Kalk\u00fcl<\/strong> exhibition alongside around 130 objects, photos, films and documents, which cataloged the effort required to implement the long-range and precision weapons being developed in Peenem\u00fcnde Germany, from 1936 to 1945.<\/p>\n\n\n\n Geschichte wird Kunst \/ Imprinting History catalogs artwork created during a residency at the Historisch-Technische Museum Peenem\u00fcnde, located on the grounds of the WWII era power plant in Germany, where Arag\u00f3n explored the history of …<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":511,"menu_order":50,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"jetpack_shortlink":"https:\/\/wp.me\/P30qrz-iC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/pages\/1154"}],"collection":[{"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/comments?post=1154"}],"version-history":[{"count":46,"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/pages\/1154\/revisions"}],"predecessor-version":[{"id":2207,"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/pages\/1154\/revisions\/2207"}],"up":[{"embeddable":true,"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/pages\/511"}],"wp:attachment":[{"href":"http:\/\/aragonmiguel.com\/wp-json\/wp\/v2\/media?parent=1154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a>
<\/a>
<\/a>
\n\n\n\n<\/a>
<\/a>
<\/a>
<\/a>
Fenster No. 1<\/figcaption><\/figure><\/li><\/a>
Fenster No. 2 (back view)<\/figcaption><\/figure><\/li><\/a>
Fenster No. 2 (front view)<\/figcaption><\/figure><\/li><\/a>
Fenster No. 3<\/figcaption><\/figure><\/li><\/ul>
\n\n\n\n<\/a>
cyanotype \u2013 50 x 40 cm.<\/figcaption><\/figure><\/li><\/a>
rust, coal and enamel on vellum \u2013 50 x 40 cm.<\/figcaption><\/figure><\/li><\/a>
coal and enamel on vellum \u2013 50 x 40 cm.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<\/a>
rust on vellum \u2013 24\u00d719 in.<\/figcaption><\/figure><\/li><\/a>
coal on paper \u2013 22.75\u00d717 in. <\/figcaption><\/figure><\/li><\/a>
coal and ash on Mylar \u2013 17.5\u00d713.5 in.<\/figcaption><\/figure><\/li><\/a>
rust and enamel on paper \u2013 24\u00d719 in.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n
\n\n\n\n<\/a>
<\/a>
<\/a>
<\/a>
<\/a>
<\/a>
<\/a>
<\/a>
<\/a>
\n\n\n\n<\/a><\/figure>\n<\/div><\/div>\n\n\n\n
Edition Braus Berlin, 112 pages, about 80 illustrations
ISBN: 978-3-86228-165-7
Kohlekraftwerk<\/strong>. Two-color woodcut, 9.5 x 8 in.
To purchase a copy of the catalog, which includes the limited edition woodcut, contact <\/a><\/strong>the artist.<\/p>\n\n\n\n
\n\n\n\n<\/a>
<\/a>
<\/a>
<\/a>